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Ventuno Costellazioni Invisibili

by Sandro Mussida

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"Ventuno Costellazioni Invisibili, a composition for violin, flute, clarinet, electric guitar, piano, percussion, and computers, was realized by an ensemble made up of Enrico Gabrielli, Yoko Morimyo, Susanne Satz, Alessandra Novaga, Giulio Patara, Sebastiano De Gennaro, Giovanni Isgrò and Mussida, during the Spring of 2015. Presented in two distinct realizations on each side of the LP, it is a work defined meditative depth and space, built from a focus on transfiguration of perceptual time – pitches played at different speeds, musical cells generated by the rotation of triangular figures distributed in time and space. The result is a sonic world of startling intricacy and beauty – one marked by the same openness, experimentation, and elegant restraint, which has long been the hallmark of the Italian sonic avant-garde. It is a near perfect image of minimalist Classical music blowing off the dust, shedding the past, diving toward countless optimistic possibilities of what it may become. It’s rippling sonorities, the inheritors of the ground once sketched by Franco Battiato and Giusto Pio, taking a radical step into the unknown"

limited edition transparent vinyl + tracklist with cells-list and original sketches here: www.soundohm.com/product/ventuno-costellazioni-invisibili/pid/30019/


released July 21, 2017

flute: clarinet enrico gabrielli
violin: yoko morimyo
piano: suzanne satz
electric guitar: alessandra novaga
triangles, celesta, tam tam: giulio patara
triangles, glockenspiel, chinese gongs: sebastiano de gennaro
winds live looping: giuseppe isgrò
director, violin live looping: sandro mussida

recorded by giuseppe salvadori at officine meccaniche recording studios, milan
mixed by mirco mencacci at s.a.m recording studios, lari (pi)
mastered by doug henderson at micro moose, berlin

commissioned and produced by alfredo scotti for metrica


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Sandro Mussida London, UK

(1974, Italy)
London based composer, cellist, electronic performer
His work investigates the consequences of compositional choices on musical matter, questioning the identity of musical languages and traditions. In particular he works around the interaction between acoustical/classical, electric and electronic fields ... more

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